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Weyl Beef Products Company Movie
Weyl beef Products Company Movie Enschede the Netherlands

Length: 339
Rating: 0.00 (0 ratings)
Tags: Bedrijfsfilm

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La taroupe sur la glabelle avec morgan weyl
...at the Troubadour London

Length: 227
Rating: 5.00 (1 ratings)
Tags: weyl taroupe glabelle troubadour publicis

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Weyl
et 1 et 2 et 3 et 4

Length: 61
Rating: 0.00 (0 ratings)
Tags: Ark59

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Einstein, Dirac, Godel, Selberg, Harish-Chandra in Princeton
These are Steve Gelbart's family movies of when his father, Abe Gelbart, took them to Princeton in 1947 and met with many scientific luminaries. In order of appearance: opening scene: Atle Selberg at left, Carl Ludwig Siegel at right (the middle two people are unknown) Around 33 seconds: Einstein 1:06 Godel on left 1:25 Selberg at the right, his wife Heddy in the middle 1:41 Paul Erdos (left) and Hermann Weyl (right) 3:01 Paul Dirac at right, and his student Harish-Chandra at left And in the last second, Steve Gelbart along with his twin brother Bill, and their mother.

Length: 196
Rating: 4.90 (29 ratings)
Tags: Albert Einstein Paul Dirac Kurt Godel Atle Selberg Harish-Chandra Erdos Hermann Weyl

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A Maldição de Zé do Caixão
Esta é uma versão cortada do filme de curta-metragem A Maldição de Zé do Caixão , rodado no ano de 2000 aquando a passagem do Zé pelo Porto em Portugal. O filme-maldição mostra Zé do Caixão amaldiçoando o estúdio de cinema da Escola Superior Artística do Porto, tendo como fundo a Igreja de São Francisco de Assis. O filme é mudo e foi inteiramente rodado e editado em super8mm. O filme foi realizado por Ricardo Leite e Zenito Weyl

Length: 247
Rating: 5.00 (1 ratings)
Tags: Zé do Caixão José Mojica Marins super8 Porto Ricardo Leite Zenito Weyl

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Big Swing Trio - "Voodoo" (starts late cause of 10 minute limit)
Big Swing Trio plays Voodoo at the Jazz Showcase Anniversary party, Hotel Boulderado 2002- featuring the GREAT Paul Romaine, Mark Diamond adn Andy Weyl.

Length: 596
Rating: 0.00 (0 ratings)
Tags: mark diamond paul romaine andy weyl jazz music

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The Blue Danube
Andre Rieu Live in Dublin, Ireland. A touch of class. We love to dance. The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!" The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion. The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs. It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".

Length: 370
Rating: 4.90 (301 ratings)
Tags: Classical Dublin Vienna Music

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Adventures of Robin Hood - "The Party Crasher"
Robin (Errol Flynn) crashes party given by Norman Prince John (Claude Rains), making one of film history's greatest entrances and meeting the beautiful Lady Marian (Olivia de Havilland). Made in 1938 by directors Michael Curtiz and William Keighley, The Adventures of Robin Hood epitomizes the grandeur of old Hollywood, full of bigger than life heroes, dastardly villains, lots of rousing action scenes and regal pageantry. It was also at the forefront of color technology, with its three strip Techni-color process. Korngold deservedly won an Oscar for Best Original Score, as did Dawson for Editing and Weyl for Art Direction. Director Curtiz was a prolific Hollywood studio film maker. Hungarian born and trained, Curtiz (Mano Kaminer), found a home with Warner's in the 1930's directing some of Hollywood's biggest stars such as Bette Davis, James Cagney, Fay Wray, Olivia de Havilland, William Powell and Errol Flynn. 1942 saw the release of two diverse Curtiz classics Casablanca (Bogart, Bergman) and Yankee Doodle Dandy (Cagney). The 50's saw critical acclaimed films such as Breaking Point (Garfield, Neal) and White Christmas (Bing Crosby).

Length: 415
Rating: 4.90 (30 ratings)
Tags: Adventures of Robin Hood Errol Flynn Olivia de Havilland Claude Rains Hollywood Classic Romantic Action Swashbuckler

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a little bit of poi
just a few photos with a bit of music

Length: 150
Rating: 3.00 (3 ratings)
Tags: poi fire spinning staff firestaff

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Johann Strauss II - The Blue Danube Waltz
Title : Johann Strauss II , The Blue Danube Waltz Date : 1867 From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!" The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion. The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs. It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody. The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent. Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated. A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key. After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer. The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.

Length: 652
Rating: 5.00 (18 ratings)
Tags: Johann Strauss II The Blue Danube Waltz Romantic Era classical world music

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