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Franz Ferdinand - Take me out
Franz Ferdinand - Take me out
Length: 246
Rating: 4.90 (11804 ratings)
Tags: Franz Ferdinand Take me out
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Michael - Franz Ferdinand
the *sexy* michael clip by franz ferdinand
Length: 198
Rating: 4.80 (1880 ratings)
Tags: michael franz ferdinand
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All My Friends - Franz Ferdinand
A video for their cover of 'All My Friends' (originally by LCD Soundsystem). Video by Anna McCarthy (yes, Nick McCarthy's sister). The girl in the video is Jihae Simmons of the band the Royal We.
The cover was recorded to be a b-side on LCD Soundsystem's single release of the original track.
Length: 349
Rating: 4.70 (494 ratings)
Tags: franz ferdinand all my friends anna mccarthy
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Franz Beckenbauer
Franz Beckenbauer: One of the greatest football players ever!
Born in 1945, Beckenbauer won the Euro Cup in 1972, was captain of Germany's successful squad in the 1974 World Cup and managed the winning 1990 World Cup team, Germany.
He has also won many Football of the Year Awards.
Music by Sergio Mendes, featuring the Black Eyed Peas
This is my first edited video.
Length: 249
Rating: 4.70 (209 ratings)
Tags: Franz Beckenbauer Football soccer WC World Cup Germany 1974 1966 great footballers squad team captain der Kaiser
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Franz Ferdinand-Walk Away
Franz Ferdinand Walk Away cÃmű klipje.Nagyon bÃrom ezt a videót:D
Length: 223
Rating: 4.90 (303 ratings)
Tags: franz ferdinand walk away
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Franz Ferdinand - Jacqueline
Franz Ferdinand - Jacqueline
Live in "Brixton Academy".
From B.S.O "9 Songs" dir. Michael Winterbottom
Length: 162
Rating: 4.80 (199 ratings)
Tags: Franz Ferdinand Jacqueline
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This Fire - Franz Ferdinand
Eyes, boring a way through me
Paralyse, controlling completely
Now there is a fire in me
A fire that burns
This fire is out of control
I'm going to burn this city
Burn this city
This fire is out of control
I'm going to burn this city
Burn this city
This fire is out of control
I'm going to burn this city
Burn this city
This fire is out of control
I'm going to burn it, I'll burn it
I, I, I'll burn it down
Eyes, burning a way through me
Overwhelm, destroying so sweetly
Now, there is a fire within me
A fire that burns
This fire is out of control
I'm going to burn this city
Burn this city
This fire is out of control
I'm going to burn this city
Burn this city
This fire is out of control
Then I, I'm out of control
And I burn,
Oh, how I burn for you
Burn, oh how I burn for you
Burn, how I
Burn, how I
Burn, oh how I...
This fire is out of control,
I'm gonna burn this city,
Burn this city...
Length: 223
Rating: 4.90 (222 ratings)
Tags: Franz Ferdinand
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Franz Schreker: Die Gezeichneten - Act I prelude
Deutsches Symphonie-Orchester Berlin
Kent Nagano, conductor
For Los Angeles Opera's "Recovered Voices" project, conductor James Conlon has slated a production of "Die Gezeichneten" for 2010.....see you there!
for the "New York Times", Jeremy Eichler wrote ("With a Disturbing Vision of Utopia Lost, a Forgotten Modernist Is Remembered", July 28, 2005)
:
Schreker's lush and sensuous musical language was built on extensions of a late-Romantic grammar. He was the rarest of musical creatures: a modernist who never got the memo on grim austerity, a progressive composer who forgot that ornament was crime. Instead, he found ways to push boundaries from within a tonal universe, stacking chords on top of one another, stretching chromaticism to its outer limits and swaddling his expressionist musical dramas in intoxicating swirls of color.
Alex Ross writes:
I wanted to write a brief description of Schreker's famous "shimmering" effects, but couldn't shoe-horn it into the piece. In the opening page of the Gezeichneten Prelude, the harmony oscillates between D major and B-flat minor, and what's really interesting is that this alternation takes place in separate layers, at different rates of speed. In the first layer, piano and harps spell out the two triads in swirling triplet arpeggios. In the second layer, celesta and second violins play in the same rhythm, but they change chords with every triplet sixteenth note, producing intermittent dissonances. The first violins, meanwhile, snake around in sinuous patterns, while bass clarinet, violas, and cellos present Alviano's yearning, ambiguous theme. It's one of the most bewitching soundscapes ever devised.
If "Der Ferne Klang" is Schreker's most inspired work—the Venetian party scene in Act II, with its layering of choruses, Gypsy bands, and singing gondoliers, is worthy of "Don Giovanni"—"Die Gezeichneten" is the one that takes you by the throat. The plot, which Schreker initially concocted for his RomanticImpressionist colleague Alexander Zemlinsky, sets up a love triangle among three habitués of Renaissance Genoa: Alviano, a hunchbacked aesthete, who builds an island utopia called Elysium; Count Tamare, handsome and heartless, who, with fellow-squires, converts Elysium into a hotbed of sexual depravity, taking the daughters of Genoa's merchant class as victims; and Carlotta, a diffident painter, who falls in love with Alviano, or at least the idea of him, only to give in to Tamare's advances.
The Schreker scholar Gösta Neuwirth has found that the scenario contains various cunning portraits of fin-de-siècle personalities. Alviano resembles the industrialist Friedrich Alfred Krupp, who built a gay pleasure den in a grotto on Capri. Tamare seems to have been based on Tamara von Hervay, an accused bigamist and witch. And Carlotta, who rightly fears that sex would kill her, is probably a stand-in for the perpetually keening Zemlinsky, as well as for the less sentimental Schoenberg, who painted in his spare time. The libretto supplies a description of Carlotta's painting of a glowing hand: it precisely resembles one of Schoenberg's pictures. The transposition of gender roles is typical of Schreker's devious psychology.
Alex Ross article here:
http://www.newyorker.com/critics/music/?050822crmu_music
Length: 626
Rating: 5.00 (9 ratings)
Tags: Franz Schreker Gezeichneten Kent-Nagano opera classical
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