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Qui tollis - my new latin motet
As a composer I have written a lot of choral music. This is the premiere performance of my latest motet: "Qui Tollis".
The text is from the old latin mass (- actually it is an exerpt of the longer text "Gloria").
- Curt Wrango
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Translation:
Thou that takest away the sins of the world,
have mercy upon us.
Thou that takest away the sins of the world,
receive our prayer.
Thou that sittest at the right hand of God the Father,
have mercy upon us.
Length: 173
Rating: 5.00 (5 ratings)
Tags: qui tollis gloria choral classical choir church curt wrango wrangö
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40-Part Motet
Snippet of the '40 Part Motet' installation by Janet Cardiff at MoMA.
This video doesn't come anywhere near representing how wonderful this installation is or how much I zoned out, but I just had to record something.
Length: 99
Rating: 4.50 (8 ratings)
Tags: installation choir cathedral MoMA
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"Non moriar" motet - Ludwig Senfl - VOX 3
At the VOX 3 concert "Here I Stand - music of the Reformation," sopranos Kimberly Beasley & Jennifer Haworth, tenor Brian Hoffman, and baritone Brian von Rueden sing the a capella motet, "Non moriar, sed vivam." This motet was by Bavarian court composer Ludwig Senfl, who although employed by a Catholic monarch, wrote several enduring works in the new Lutheran idiom. Visit www.vox3.org. At Holy Trinity Lutheran Church in Chicago.
Length: 230
Rating: 0.00 (0 ratings)
Tags: Classical Music Choir Choral Motet Renaissance Reformation Senfl Acapella
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Motet: Plaudite tympana
click link for Stereo sound
http://www.youtube.com/watch?v=acvqiVLQEN4&fmt=18
Heinrich Ignaz Franz Biber - Motet Plaudite tympana (1682).
Musica Antiqua Köln.
Conducted by Reinhard Goebel.
Gabrieli Consort and Players.
Conducted by Paul McCreesh.
1. Plaudite tympana.
Plaudite tympana,
clangite classica,
Fides accinite,
Voces applaudite,
Choro et jubilo,
Pastori maximo,
Applaude patria
Rupertum celebra.
Felix dies ter amœna,
Dies voluptatem plena,
Qua Rupertum celebramus,
Qua patronum honoramus,
Dies felicissima.
O læta gaude patria,
O læta plaude gens,
Ruperti super sidera
Triumphat alta mens,
In angelorum millibus
Beatorum plausibus
Triumphat alta mens.
Vive Salisburgum gaude,
magno patri ter applaude,
in tympanis et vocibus,
in barbitis et plausibus,
Rupertum celebra,
pastori jubila.
This motet is a hymn accompanying the Missa Salisburgensis, composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. The vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments (the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs). In this motet, only the second bass of the second choir lacks a designated solo part.
The score survives as a manuscript inscribed on massive 80 centimetre tall pages. From the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer Orazio Benevoli (who would have been 23 years old at the assumed date of composition), or the later Salzburg composer Andreas Hofer, however the noted Biber scholar Ernst Hintermaier showed in the 1970s that Biber is the only possible composer of the work.
Length: 348
Rating: 5.00 (1 ratings)
Tags: Biber
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