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Nagumomo - Keyboard Sathya
Keyboard Sathya performed @ Delhi Tamil SangamSathya performing Nagumomu at Delhi Tamil Sangam on the 16th Sep'06 enhanced by B Ananthakrishnan on violin, Trivandrum Balaji on Mrudhangam and Harihara Subramaniam on the Ghatam.
his official website: www.keyboardsathya.com
Length: 260
Rating: 4.40 (7 ratings)
Tags: Keyboard Sathya Carnatic Western Sangeetham Music India Chennai Wonder Kids Limca Book Record
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"One road to Freedom" - New Trailer
Second trailer, with music & Quotes.... ^^ I was especially inspired by the song (Nagumomo, by Susheela Raman)Hope you like it !!
QUOTES***
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Mia : « Et maman où est-elle... ? Papa, dis moi où elle est !! »
****
Sakina : « Promise me you'll come back for me »
Keane : « I promise »
*****
Mia : « Tu es un Ange pas vrai ? ! »
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xxxx : « Tu ne comprends pas que tu as rendu tout le monde fou de rage ? »
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Keane : « I'm Sorrry... »
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Sakina : « You could have died »
Keane : « But I lived.. ! »
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« Ask your saint who he is, ask him who he killed. »
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Keane : « Every night i cut out my heart.... but in the morning it was full again. »
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Sakina : « Narayan ! »
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XXX (à Sakina) : « Ma chérie »
Keane (à l'assemblée) : « Excusez moi, excusez moi s'il vous plait ! »
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Keane : « Don't go anywhere... I'll be back »
******
Arjun : « Rien n'a changé »
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Elliot Stabler : « It's not an option. »
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Olivia Benson : « Didn't know i had the choice. »
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Sakina : « Quand partiras-tu ? »
Keane : « Quand on me fera signe »
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Sakina : « Je t'aime tellement »
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xxxx : « You're in love with him aren't you ? »
Sakina : I'm not in love with him, i'm in love with ghosts...
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Sakina : « Je t'ai toujours aimé ! »
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Sakina : « Je suis d'avis que tout ce qui est bon, ne devrait pas être effacé »
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Keane : « Don't worry, everything is all right ! »
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Narayan : « These once familiar streets are full of shadows.. everywhere !
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Keane : « I'm here for her ! »
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Keane : « I've no control anymore ! »
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Sakina : « What does that mean ? ! »
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Keane : « They say, you see moments of your life, right before you die...
Sakina « No... just one moment. »
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Sakina : « Why are you here ? »
Keane : « I already told you ! »
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Sakina : « Darling... My darling ! »
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Keane : I promise, i'll never leave you !
Length: 408
Rating: 5.00 (1 ratings)
Tags: Trailer fic fanfiction NYUS USV NewYork Specialvictimsunit Stabler benson keane rani Mukherjee sean patrick flanery SPF
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Bharath Kannan (Gokul) - Alto Saxophone - Nagumomu - Song
Sankara Academy of Music & Arts
New Jersey, USA
School Day -- Spring 2008
=======================================
Song: Nagumomu
Ragam: Aabheri
Talam: Adi
Composer: Thyagaraja
=======================================
Bharath Kannan -- Saxophone Teacher (Bhuvana Kannan)
Siddharth Ashok Kumar -- Violin
Aparajit Sriram -- Mridangam
Subhang Srinivasan - Ghatam
======================================
[Telugu]
Nagumomo Ganaleni Najali Delise
Nannubrova Rada Sri Ragu Varani
Nagarajadhara Nidu Parivaruella
Ogi Hodhana Jesevaralu Gare Yatulandadura Ni
Kagaraju Ni Yanati Vini Vega Canaledo
Gaganam Nikilagu Bahaduram Aninado
Jagamela Paramatma Evarito Moralidudu
Vagajupagu Talanu Nannelu Kora Tyagarajanuta Ni
Length: 515
Rating: 5.00 (1 ratings)
Tags: carnatic Nagumomu Alto Saxophone Gokul Bharath
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Susheela Raman - Salt Rain 'Maya' (2000)
Susheela sings Maya in English but its seductive Eastern melody is based around an Indian Raga...It sounds East European but has a reggae feel as well (we described it as a stab at 'Armenian Ska', but won't insist on it). It's a love song. Maya is both a name and a word which connotes illusion and enchantment.!
As an artist, Raman continues to develop and explore issues of identity with new sounds that celebrate multiplicity. She draws her collaborators from across Europe, Asia, and Africa: Cameroonian bassist Hilaire Penda, Guinea-Bissau born percussionist Djanuno Dabo, American drummer Marque Gilmore, British-Asian tabla player Aref Durvesh, and of course British guitarist and producer Sam Mills are at the heart of this album as they were on Salt Rain.
Salt Rain (album) was recorded between October and December 2000 (except Mamavatu which was recorded the preceding February for the Gifted album on Real World). We were lucky to collaborate with some unique musicians who live mostly in London and Paris but are of diverse origins: Guinea Bissau, Cameroun, India, Romania, France, Greece, Egypt, Kenya, America, and Spain. Any record is a meeting of many minds and, now more than ever, it is networks of people, not just individuals, that spark new and exciting work. Everyone brought their own special energy to the music and I am very proud of what we all worked together to create.
By Kabir Davis:
This album, the debut of Joi's Susheela Raman, was recently nominated for the Mercury Award 2001, Britain's foremost reward to new artists with distinct creative ability. She was beaten by PJ Harvey's new set, but nevertheless, it brought to the attention of Europe the talents of a brilliant new songstress.
'Salt Rain' is by far one of the best fusion albums I have heard. I always thought that only Kila and Afro Celt Sound System knew how to make a good record, and when I first heard of Joi through Real World, I was a little skeptical. On those early records, Susheela stands out, but no one could predict that a solo career would bring so much promise to the world of new age music.
That said, Susheela's work here should be compared to Auroville's Nadaka, as well as M. S. Subbalakshmi, and Dead Can Dance. While she no doubt uses these influences in her vocal style and song structure, she is very much an independent and original artist. I thoroughly enjoyed this album. The first time I really listened to it was on headphones, which I thought was the proper method to appreciate a work of this sort.
Strangely enough, Susheela's more interesting moments come when she thoroughly bungles up the lyrical content of a song. You must remember that this album is a celebration of the singer as an Indian. The tracks are sung in Tamil, Telugu, Hindi and Sanskrit. The ones in Sanskrit work best, but the Tamil tracks are inexplicable. While her diction is less than flattering on these tracks, it does lend the songs a certain listenability - more so because all the words are phonetically reproduced in English in the liner notes.
I think Susheela lost out on the Mercury because the album is far too experimental for the common listener. PJ Harvey, who I think is the poor-man's Fiona Apple, had a great record last year, but its nothing as groundbreaking and revolutionary as 'Salt Rain'. There are a few songs here in English, but to be honest, they are the least compelling of the set. Susheela scores best when shes singing in Indian languages.
Of all the tracks, I personally connected with 'Mamavatu'. This song reminded me of attending a Hindu temple in Thanjavur, South India, when I was a child over ten years ago. I haven't heard a song so deeply capture the beauty and spirit of Southern India the way this song does. The last time I heard something like this was on 'Nama Shivaya' by Nadaka, but you can only get that one on the limited French Edition of 'Origines'.
Susheela's record label has done us a huge service by releasing this album with all the respect a record of this magnitude deserves. All the musicians are given a page with their picture, and Susheela herself appears very briefly on the painted page. The album booklet is thorough, informative, and a classy production. Lisa Gerrard would do well to learn from Raman's mastery of putting together a debut album package.
Unfortunately, this record is not being heard of in America. In France, its a consistent top seller, and its always near the top of the British new age charts. Pity, because the US always misses out on the best musicians (Vanessa Paradis, Axelle Red, The Sealand Poets, All Saints) in favor of lesser, more vapid talent (Spears, Aguilera, Timberlake). Also, with the new success of Afro Celt Sound System in America, one would think that Raman would leap up the charts as well. Well, she deserves to. If theres one new age or classical album you intend purchasing this year, let it be this one.
Highly recommended.
Length: 278
Rating: 4.60 (25 ratings)
Tags: 2001 Kamakshi mamavatu trust in me ganapati mahima nagumomo song to siren spears aguilera timberlake axelle all saints
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Susheela Raman - Salt rain 'Mamavatu' (2001)
As an artist, Raman continues to develop and explore issues of identity with new sounds that celebrate multiplicity. She draws her collaborators from across Europe, Asia, and Africa: Cameroonian bassist Hilaire Penda, Guinea-Bissau born percussionist Djanuno Dabo, American drummer Marque Gilmore, British-Asian tabla player Aref Durvesh, and of course British guitarist and producer Sam Mills are at the heart of this album as they were on Salt Rain.
Salt Rain (album) was recorded between October and December 2000 (except Mamavatu which was recorded the preceding February for the Gifted album on Real World). We were lucky to collaborate with some unique musicians who live mostly in London and Paris but are of diverse origins: Guinea Bissau, Cameroun, India, Romania, France, Greece, Egypt, Kenya, America, and Spain. Any record is a meeting of many minds and, now more than ever, it is networks of people, not just individuals, that spark new and exciting work. Everyone brought their own special energy to the music and I am very proud of what we all worked together to create.
By Kabir Davis:
This album, the debut of Joi's Susheela Raman, was recently nominated for the Mercury Award 2001, Britain's foremost reward to new artists with distinct creative ability. She was beaten by PJ Harvey's new set, but nevertheless, it brought to the attention of Europe the talents of a brilliant new songstress.
'Salt Rain' is by far one of the best fusion albums I have heard. I always thought that only Kila and Afro Celt Sound System knew how to make a good record, and when I first heard of Joi through Real World, I was a little skeptical. On those early records, Susheela stands out, but no one could predict that a solo career would bring so much promise to the world of new age music.
That said, Susheela's work here should be compared to Auroville's Nadaka, as well as M. S. Subbalakshmi, and Dead Can Dance. While she no doubt uses these influences in her vocal style and song structure, she is very much an independent and original artist. I thoroughly enjoyed this album. The first time I really listened to it was on headphones, which I thought was the proper method to appreciate a work of this sort.
Strangely enough, Susheela's more interesting moments come when she thoroughly bungles up the lyrical content of a song. You must remember that this album is a celebration of the singer as an Indian. The tracks are sung in Tamil, Telugu, Hindi and Sanskrit. The ones in Sanskrit work best, but the Tamil tracks are inexplicable. While her diction is less than flattering on these tracks, it does lend the songs a certain listenability - more so because all the words are phonetically reproduced in English in the liner notes.
I think Susheela lost out on the Mercury because the album is far too experimental for the common listener. PJ Harvey, who I think is the poor-man's Fiona Apple, had a great record last year, but its nothing as groundbreaking and revolutionary as 'Salt Rain'. There are a few songs here in English, but to be honest, they are the least compelling of the set. Susheela scores best when shes singing in Indian languages.
Of all the tracks, I personally connected with 'Mamavatu'. This song reminded me of attending a Hindu temple in Thanjavur, South India, when I was a child over ten years ago. I haven't heard a song so deeply capture the beauty and spirit of Southern India the way this song does. The last time I heard something like this was on 'Nama Shivaya' by Nadaka, but you can only get that one on the limited French Edition of 'Origines'.
Susheela's record label has done us a huge service by releasing this album with all the respect a record of this magnitude deserves. All the musicians are given a page with their picture, and Susheela herself appears very briefly on the painted page. The album booklet is thorough, informative, and a classy production. Lisa Gerrard would do well to learn from Raman's mastery of putting together a debut album package.
Unfortunately, this record is not being heard of in America. In France, its a consistent top seller, and its always near the top of the British new age charts. Pity, because the US always misses out on the best musicians (Vanessa Paradis, Axelle Red, The Sealand Poets, All Saints) in favor of lesser, more vapid talent (Spears, Aguilera, Timberlake). Also, with the new success of Afro Celt Sound System in America, one would think that Raman would leap up the charts as well. Well, she deserves to. If theres one new age or classical album you intend purchasing this year, let it be this one.
Highly recommended.
Length: 235
Rating: 0.00 (0 ratings)
Tags: 2001 Kamakshi mamavatu trust in me ganapati mahima nagumomo song to siren lila downs m.i.a india manu chao lhasa de sela zap mama madredeus ravi shankar
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Sapthapadi - Thyagaraja Kruthi - Nagumomu - K Viswanath
Lyrics & Music: Saint Thyagaraja
Ragam: Abheri
Talam: Adi
Featuring: Sabita & ?
Director: K Viswanath
[about the director:
K. Vishwanath, (Born April 19, 1930 , India) is a Telugu movie maker whose contributions have been significant to Indian films from the Telugu film industry. He was born in the South Indian city of Vijayawada in 1930.
Career
He began his career as a technician in a studio at Chennai and later assisted Mr. Adurti Subba Rao in direction.[1]He also worked as an assistant to director Ramnoth.[2] He debuted as a director with Aatma Gowravam, which starred Akkineni Nageswara Rao. However, his full prowess in film-making flowered with a subsequent film called Siri Siri Muvva.
His films used to tackle the relevance and influence of Indian music/culture/art in the modern era. Films in this mould include Sankarabharanam ('Shankara's Ornament'). He made a series of such classical oriented movies all showcasing the bliss in Indian art forms. The list includes Saagara Sangamam ('A Tryst With Infinity'), Sruthi Layalu, Sirivennela ('Golden Moonlight'), Swarna Kamalam ('Golden Lotus'), and Swathi Kiranam ('A Ray of Talent').
He also made significant contributions on the social front with films like Saptapadi ('The seven Steps', signifying the sanctity of the Hindu marriage system), Swathi Muthyam ('Pure Pearl'), Swayam Krushi ("Attitude Towards Work" — conveying the message that dilligence and dedication is indispensable in achieving success), Subhodayam ('Good Morning'), Subhalekha ('Wedding Invitation' — a critique of the dowry system), Aapadhbhaandhavudu ('Savior'), and Subha Sankalpam ('Good Will').
Swathi Muthyam was India's official entry to the Oscars in 1986. Viswanath was awarded the Padma Shri by the Government of India for his contributions to Indian film.
His films mirror the erosion of cherished values of Indian culture yet he remains critical of those morals that make one stand against his fellow human. For example, in his movie Saptapadi, Vishwanath brilliantly addresses certain loopholes in an inadmissible cultural system like intercaste marriage. A temple chief-priest gets his daughter's daughter married to his son's son -- unaware that she is musically fused to a flutist who is a Dalit (one of a lower caste, but of a higher humanness.) Later, as the priest sees the marriage falling apart, he comes to know the heroine's erstwhile bonding. It takes the priest intense introspection to realise how nasty it is to look down upon a fellow human because of getting imprisoned in caste. He could now anchor his judgment of someone in the "content of character" rather than caste. Across numerous other films, Vishwanath has reechoed similar social concerns that still resonate in the audiences' minds.
The music for his films were composed by K. V. Mahadevan and Ilaiyaraaja. Vishwanath has also worked with artists like Hariprasad Chaurasia, Kelucharan Mohapatra and Sharon Loven for some of his films. Vishwanath also ventured into mainstream acting recently.
Family
Mr.Viswanath is born to Sri.Kasinadhuni Subrahmanyam and Smt.Kasinadhuni Saraswatamma. He hails from Peddapulivarru, near Tenali. He is married to Smt.Jayalakshmi. The couple have three children Smt. Kasinadhuni Padmavathi Devi, Sri Kasinadhuni Nagendranath and Sri Kasinadhuni Ravindranath.
Nagendranath is an alumni of Andhra University, Visakshapatnam and Ravindranath is an alumni of BITS, Pilani and XLRI Jamshedpur.
Mr.Viswanath enjoys being with his grandchildren: Hema and Swarna (daughters of Smt Padmavathi Devi and Sri Pramod Kumar; Naren and Pranav(sons of Sri.Kasinadhuni Nagendranath and Smt.Kasinadhuni Durgavaralakshmi) and Sivani & Krishna Gayatri(daughters of Sri.Kasinadhuni Ravindranath and Smt.Kasinadhuni Gouri Mohini).
Awards
• National Film Awards
o 1980-National Film Award for Best Popular Film Providing Wholesome Entertainment -Sankarabharanam
o 1982-Nargis Dutt Award for Best Feature Film on National Integration-Saptapadi
o 1984-National Film Award for Best Feature Film in Telugu-Sagara Sangamam
o 1986-National Film Award for Best Feature Film in Telugu-Swathi Muthyam
o 1988-National Film Award for Best Feature Film in Telugu-Sruthi Layalu
o 2004-National Film Award for Best Feature Film in Telugu-Swarabhishekam
source: wikipedia]
Length: 95
Rating: 4.80 (11 ratings)
Tags: Sapthapadi Thyagaraja Nagumomu Ragam Abheri KViswanath
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Nagumomu Ganaleni - Chithram(1988)
One of the most famous carnatic pieces originally composed by Saint Thyagaraaja
Check the video featuring Mohanlal and his spellbinding performance.
Raaga: Abheri
Taala: Aadi
Composer: Tyaagaraaja
Language: Telugu
[Pallavi]
Nagumomu ganaleni najaali telisi nanu brovaga rada shree raghuvara nee
[Anupallavi]
Nagaraajadhara needu paraivaara lella ogibodhana jese vaaralu gaare yitu lundudure
[Charana]
Khagaraaju nee yanati vini vega chanaledo gaganaani kilaku bahu durambaninaado
Jagamele paramaatma evarito moralidudhu vaga jupaku talanu nannelukora thyagarajanuta nee
I'm sorry for any breaks in the video..^^
Length: 355
Rating: 4.80 (31 ratings)
Tags: mohanlal nagumomu ganaleni chithram malayalam chitram classical music telugu tamil south india
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